Housed in the former National Bank of Ireland, Hawksmoor Dublin is a remarkable restoration project and a significant landmark. With Italianate Neoclassical styles and unique features such as a 40-ft cast iron dome, we saw an exceptional opportunity to restore this historical building.

We embarked on an immersive design journey to bring Hawksmoor (the British steakhouse) to New York City. We restored the historic United Charities Building in Gramercy Park, preserving its landmark status – the dining room’s grandeur was meticulously brought back to life, featuring Ionic pilasters and coffered vaults. 

Hawksmoor Wood Wharf, a floating pavilion in London’s docklands, provided us with a unique design opportunity. Drawing inspiration from travel’s golden age, the interiors capture the glamour of Hawksmoor in Manhattan and ocean liner aesthetics. 

Hawksmoor Liverpool, built between 1924-32, blends Italian Renaissance and American Beau-Arts styles, and pays homage to the city’s maritime history. 

The Lowback, sitting below deck at Hawksmoor Wood Wharf, presented a unique design challenge. The existing floor-to-ceiling glass allowed us to further enhance the space into a remarkable environment featuring a 9-metre brass serving area and a halo-lit Deco-style back bar.

In 1807, the Watney-Combe brewery’s original owner, Alderman Combe, hosted a steak supper for London’s elite, including the Prince of Wales. Drawing inspiration from the rich history of Hawksmoor Seven Dials, our task was to design a distinctive British steakhouse and cocktail bar to exude sophistication, creativity and grandeur.

Hawksmoor Manchester is a luxurious restaurant and cocktail bar located in a Grade II listed building that used to be the city’s former High Court Registry Office. 

Hawksmoor Borough, located near London Bridge and a fantastic fresh food market, is situated in a former hops warehouse which was repurposed as a fruit warehouse and auction hall in 1932. Our challenge was to maintain the building’s heritage while reflecting Hawksmoor’s distinct personality. 

Hawksmoor Air Street, located on the first floor of Regent Street’s grand crescent, draws inspiration from the former Art Deco heart of London, Piccadilly. 

Located near the site of Dolly’s, the world’s first steakhouse – Hawksmoor Guildhall is a 250-cover restaurant and bar with a private dining room that honours London’s most exceptional steak. 

Hawksmoor Spitalfields was the first restaurant from the award-winning steakhouse and cocktail bar, opening in 2006. The restaurant features bespoke stained glass windows, plush emerald green leather banquettes, and decorative lighting. The subterranean cocktail bar has a Prohibition New York speakeasy vibe, with bespoke peacock blue wall tiles.

Hawksmoor Knightsbridge is located in the subterranean Yeoman’s Row, surrounded by the prestige of Harrods, Harvey Nichols, and the V&A. Inspired by early Viennese architecture and the glamour of Art Deco, we created a restaurant and bar with a gently curvaceous ceiling and sleek, feminine brass arched windows. 

Hawksmoor St Andrew Square, Edinburgh, Scotland’s first Hawksmoor, is located in a Grade A listed building which was once the Royal Bank of Scotland’s 1930s home. A considered approach was required, respecting the building’s grand Neoclassical style, influenced by American banking halls, by either incorporating or replicating original features such as mouldings and joinery.

Welcome to Flat Iron’s first venture in the North of England. Nestled within the Grade II listed historic former Church Institute Building on Lands Lane it was originally designed by architect duo Richard Adams and John Kelly. The building commands attention with its striking facade and prime position on a corner overlooking Albion Place.

Occupying prime position on the Southern Terrace of Westfield London, a palette of dark-stained oak panelling and rich wood finishes makes this instantly recognisable as a signature Flat Iron restaurant.

Dishoom, Battersea is a compelling design journey, mirroring the two phases of the Power Station’s construction. Our approach unfolded with a fascinating dual perspective. We envisioned an Irani café set in the 2020’s as imagined through a 1930’s lens. This liberated us from conformity to determine a broader and eclectic narrative.

The design story for Dishoom Canary Wharf evolved to imagine the fictional owner of the restaurant to be a financial fraudster from the 1970s operating close to the Bombay Stock Exchange. 

Situated in a Grade II* listed former stable block of the Western Transit Shed, Dishoom Kings Cross transports diners to 1930s Bombay while celebrating the building’s Victorian industrial heritage. 

New Dishoom in Covent Garden, London celebrates the golden age of Parsi theatre, the talkies of Bombay, and the city’s old Irani cafes and private residences. A  newly acquired space adjacent to the original Dishoom restaurant meant we could increase the overall footprint – touches of Art Nouveau, Art Deco, and mid-century design provide a layered, textured aesthetic.

Dishoom in Birmingham, once known as the ‘city of a thousand trades’, is inspired by South Bombay’s marketplaces and the faded elegance of private residences. 

In the corner of Kensington’s Grade II listed Barkers Building, we aimed to transport guests back to Jazz Age Bombay, incorporating authentic details of the traditional Irani cafes and Art Deco cinemas of southern Bombay. 

Dishoom’s restaurants are each based on a unique story set in Bombay, which informs the design narrative. For the seventh restaurant and bar located in Manchester Hall, a Grade II listed masonic lodge building, the story revolves around Bombay’s freemasonry. 

Dishoom Edinburgh is a three-floor restaurant located in the south side of St. Andrew Square. It is housed in a grade A listed building that was formerly an extension of Forsyth’s department store. 

Dishoom celebrates the culture of South Bombay’s Irani cafes, with a design that is inspired by the youth-driven cultural revolution that took place in London’s Carnaby Street during the mid-1960s.